Guitar lnterscetions
£13.25
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
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Label: Haenssler Classic
Cat No: HC23017
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 7th July 2023
Contents
Works
El amor brujoGuajira
Seguidilla
Estudio no.3 'Cancion Paramena'
Estudio no.5 'para Laura'
Estudio no.15 'Estudio con Pajarillo'
Danza mora
Maria
Suite Castellana
Artists
Ivan Petricevic (guitar)Works
El amor brujoGuajira
Seguidilla
Estudio no.3 'Cancion Paramena'
Estudio no.5 'para Laura'
Estudio no.15 'Estudio con Pajarillo'
Danza mora
Maria
Suite Castellana
Artists
Ivan Petricevic (guitar)About
The starting point for our attention here is the work of the Spanish composer, guitarist and guitar teacher Francisco Tarrega (1852-1909), whose "school" influenced numerous Spanish composers who, like Tarrega himself, saw the guitar as Spain's national instrument.
The 19th century was a time when large concert halls were being constructed, something which, as the guitar began to enjoy increasing popularity, became rather problematic for guitarists, particularly as far as the acoustics were concerned.
It was the Spanish guitar maker Antonio Torres (1817-1892) who, basing his designs on those of previous guitar makers, combined with the most up-to-date research into acoustics, developed larger instruments, something which Tarrega found vitally interesting, so much so that he developed a new playing technique.
Through the evolution of his style of legato fretting and his own particular perception of the diverse timbral possibilities of the guitar, Tarrega created sounds that virtually made the instrument sing.
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